Wednesday, December 4, 2024

Maybe Happy Ending review

Helen J. Shen and Darren Criss in Maybe Happy Ending

As the world ponders the impact that artificial intelligence will have on humans, 
Maybe Happy Ending, a charming, whimsical new Broadway musical inverts that premise, exploring the harm that well-meaning yet inconsistent mortals could cause their devoted robotic pals. Now playing at the Belasco, it's easily the most enchanting new musical to arrive on Broadway this year.

It's set in South Korea, where Will Aronson and Hue Park's musical already had a successful run. This English-language version stars Emmy winner Darren Criss as Oliver, a humanoid model 3 Helperbot merrily passing the days in his room. He listens to jazz, talks to his plant and waits for his owner to send for him.

Oliver's orderly world is thrown into chaos when model 5 Claire (sensitively played by Helen J. Shen) shows up at his door in need of a charger. Because she's a newer model, Claire is a bit more advanced when it comes to understanding humans — and she realizes they've both been "retired," aka sent to live out their days in a community for old tech until their batteries run out because replacement parts have been discontinued.

Claire doesn't have the heart (or any heart for that matter) to shatter Oliver's sunny illusions, but she does join him on a journey to visit his former owner, James (Marcus Choi), which proves life-changing for both. And yes, it's clear that Oliver and Claire have the capacity to love.

Aronson's music and Park's lyrics are at their best when they're penning jazz numbers for Oliver's favorite musician, Gil Brentley (Dez Duron). Under the direction of Michael Arden, both Criss and Shen deliver touching, evocative performances. Criss, in particular excels at maintaining Oliver's stilted movements throughout the show'a hour and 45 minutes. 

And the show looks beautiful thanks to set, video and projection design by Dane Laffrey and George Reeve. Oliver's and Claire's worlds begin small, with both confined to their small studio apartments. But as they venture out into the open, and experience the beauty of nature, the set expands to fill the stage as their emotions are released.

How ironic that such humanity should occur in a show with a pair of robots as its main characters!