Wednesday, June 3, 2015
This Adweek article suggests that election ad-spending could be headed from TV stations to social media because more millennials get their political news from Facebook instead of television.
There's just one problem with that cause-and-effect scenario, however. According to this 2014 piece in the Guardian, millennials are big consumers of free ad-blocking browser extensions: 41 percent of them block Internet ads.
Interesting to see that German courts have been siding with consumers.
Wednesday, April 22, 2015
|Bill Nighy and Carey Mulligan in Skylight.|
It's interesting that the Gigi creative team was so concerned that people would be revolted by the age difference between Gaston and Gigi that they ineffectively made them nearly the same age. But the age difference between Bill Nighy and Carey Mulligan in Skylight in no way detracts from the power of their story. Didn't care for the former, but loved the latter.
Monday, March 9, 2015
|Rosie Perez and David in Fish in the Dark.|
I didn't expect to enjoy Fish in the Dark as much as I did. That's not to say I had a great time. Larry David's Broadway debut as actor and author is only moderately amusing, but since the appeal of his popular HBO comedy series Curb Your Enthusiasm always eluded me, modest enjoyment was more than I expected.
I loved Seinfeld, which David co-created, as far back as when it was called The Seinfeld Chronicles, but I don't find him very engaging as a performer, either onscreen or onstage. Fortunately, he's surrounded by enough talented Broadway veterans — in particular, Jayne Houdyshell, Marylouise Burke and Lewis J. Stadlen — that it's not as big a problem as it might have been if Fish in the Dark were a star vehicle instead of an ensemble show with an 18-member cast, huge for a play.
Not that I find these characters any more likable or interesting than the ones that populated Curb Your Enthusiasm, but I only had to spend two hours with them, not revisit them week after week, which was fine. Now I have no need to see any of them ever again.
Friday, October 17, 2014
|The cast of the Apple Family Plays: DeVries, Robins, Sanders, Kunken, Plunkett and Murphy.|
I was late to the party in discovering Richard Nelson's Apple Family Plays. I caught only the last two during their Off Broadway runs at the Public Theater. So I was delighted to hear that one of New York's PBS stations, WNET, taped all four as part of a TV series called Theater Close-Up, attempting to do for the city's Off Broadway theaters what National Theatre Live has done for theaters in the United Kingdom: expose their work to larger audiences that might not otherwise have a chance to see theater, whether due to money, location, time or other factors.
NT Live does things on a larger scale, broadcasting to movie theaters, and their camerawork is sharper, but I found Theater Close-Up's Oct. 16 third offering, and the first featuring the Apple Family, That Hopey Changey Thing, as fun, insightful and moving as the other installments. All take place in the last four years: two on election night, one on the 10th anniversary of 9/11 and one on the 50th anniversary of JFK's assassination. Hopey Changey takes place on the night of the 2010 midterm elections, when the Democratic-leaning Apple siblings are assembled in upstate Rhinebeck, N.Y., after voting and before the polls close.
Nelson, who also directed the quartet, brilliantly captures their mood, and by extension, the mood of a certain segment of the U.S. population two years into President Obama's first term: disillusion, determined and at various points in between. Both he and his cast — Jon DeVries, Stephen Kunken, Sally Murphy, Maryann Plunkett, Laila Robins and Jay O. Sanders — manage to do that while still creating characters that are beautifully real and compelling in their faults as well as their virtues, and that you want to spend time with.
I went to WNET's website today to check the schedule for the remaining three plays — Sweet and Sad, Sorry and Regular Singing — and noticed that while the first two are scheduled to air in the next two weeks, nothing is slated for the 10 p.m. time slot on Nov. 6. There's just a blank space after an Endeavour rerun. Which has me wondering if ratings haven't been good and the station has decided to air something else at that time. I found this schedule posted in another area of the website that has Regular Singing slated for Nov. 6 and lists other broadcasts each Thursday through Thanksgiving. But it doesn't include London Wall, the Mint Theater show that launched the series Oct. 2, so I'm not sure how accurate the rest of it is.
I emailed WNET to find out more. I'll see what I learn next week.
UPDATE: And the very efficient viewer-relations department got back to me: Regular Singing is scheduled for Nov. 6 at 10 p.m.; it just hasn't been entered into the online listings yet. Hamish Linklater's play The Vandal follows on Nov. 13.
Monday, July 7, 2014
Katharine McLeod and Jamie Geiger in The Religion Thing.
Renee Calarco's The Religion Thing, currently on the boards at the Cell thanks to Project Y Theatre, originally base in Washington, D.C.
I went with a longtime friend who happens to be an interfaith minister, and we took a roundabout route to the subway after the show, so that we could discuss the play. Not just what we thought of it (we both loved it), but characters and the choices they make and they ways they respond to each other. No character is easily forgiven or roundly condemned -- not even the "formerly gay" character now married to a woman.
Tuesday, July 1, 2014
Ross Bickell, George Morfogen, James Riordan and Mitch Greenberg in Donogoo.
But comedy doesn't always translate well, whether from a foreign language or a historical period. Although the first act is mostly setup and the post-intermission payoff amuses, this production, which I reviewed for Time Out New York, isn't sturdy enough to turn decent satire into trenchant theater.
Tuesday, June 3, 2014
|Branagh and Kingston in Macbeth.|
As you can see, it went well. Perhaps because I rather surprised her at the beginning of the interview when she told me the company had been rehearsing at Alexandra Palace in London, and I said, "Oh, you're in Crouch End." She seemed rather impressed that an American had heard of both those places. They're not in too many London guidebooks, certainly, and had I been conducting this interview a year earlier, I would have been clueless. But I had the pleasure of staying with friends in Crouch End during my visit to London in January, and took a walk up to Ally Pally.
|Alexandra Palace in London, where rehearsals took place.|
Looking forward to experiencing Macbeth tonight.